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  1. Programs
  3. B.S. in Music Media Production

B.S. in Music Media Production

Ball State University

Bachelor's DegreeCIP: 10.0203

Become a contributor for free to openly demonstrate student outcomes, industry alignment & eligibility criteria.

No description available.

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Program Pathways

Credentials this program stacks toward

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Program Details

Detailed information about this program

No detailed information available.

Requirements

What you need to earn this credential

No requirements listed.

Financial Aid

Eligible funding programs

No funding information available.

Scholarships

No scholarships listed.

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Locations

Where this program is offered

  • Muncie, Indiana

    2000 W. University Ave, Muncie, Indiana, 47306

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Related Programs

Programs related to this one

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Skills & Competencies

Skills developed through this program

Auto-populated·from O*NET via SOC 27-4014.00

Skills

SpeakingCritical ThinkingReading ComprehensionActive ListeningComplex Problem SolvingJudgment and Decision MakingOperations MonitoringOperation and ControlMonitoringCoordinationService OrientationWritingSocial PerceptivenessTime Management

Knowledge

Computers and ElectronicsEnglish LanguageCustomer and Personal ServiceFine ArtsCommunications and MediaEngineering and TechnologyTelecommunicationsAdministration and Management

Abilities

Oral ComprehensionOral ExpressionNear VisionWritten ComprehensionDeductive ReasoningHearing SensitivityAuditory AttentionFluency of IdeasSelective AttentionOriginalityProblem SensitivityInformation OrderingWritten ExpressionInductive ReasoningVisual Color Discrimination

Tasks

  • Confer with producers, performers, and others to determine and achieve the desired sound for a produ
  • Regulate volume level and sound quality during recording sessions, using control consoles.
  • Record speech, music, and other sounds on recording media, using recording equipment.
  • Notify supervisors when major equipment repairs are needed.
  • Diagnose and resolve media system problems.
  • Direct and coordinate activities of assistants and other personnel during production.
  • Operate drones for aerial videography and photography during live events or for pre-recorded material.
  • Purchase audio or video equipment.
  • Work with creative directors to develop design solutions.
  • Present final layouts to clients for approval.
  • Manage own accounts and projects, working within budget and scheduling requirements.

Technology

Music or sound editing softwareGraphics or photo imaging softwareDesktop publishing softwareVideo creation and editing softwareDocument management softwareWeb page creation and editing softwareData base user interface and query softwareSpreadsheet softwareOffice suite softwareWord processing software

Tools

1/3 octave equalizersAmplifiersAudio compressorsAudio filtersAudio mixer consolesCable testersChannel equalizersCondenser microphonesDesktop computersDigital audio recordersDigital delay pedalsDigital oscilloscopesDigital samplersDynamic microphonesDynamics processorsAssistive amplification systemsAudio presentation systemsAudioconferencing systemsAudiovisual A/V mixersCassette playersClaw hammersCompact disk CD burners or playersDigital camcordersDigital video camerasDigital video disk DVD playersDigital voltmeters DVMIntegrated speaker systems

Work Values

IndependenceRelationshipsAchievementWorking ConditionsRecognitionSupport
Career Pathways

Occupations this program prepares you for

  • Sound Engineering Technicians27-4014.00
  • Audio and Video Technicians27-4011.00
  • Disc Jockeys, Except Radio27-2091.00
What You'll Learn

Key competencies developed through this program

Auto-populated·from NSX Competency Framework

Mastery: proficient (Level 3)(based on Bachelor's Degree)

  • Full-session engineering — independently manage all technical aspects of a complex multi-track recording session from setup through final mixdown for a professional release.
  • Advanced mixing and mastering — apply compression, dynamic EQ, reverb, and stereo imaging autonomously to achieve a broadcast- or release-ready mix.
  • Non-routine acoustic problem solving — diagnose and resolve unexpected room acoustics, phase cancellation, or interference issues on unfamiliar stages or studios.
  • Producer collaboration and sonic vision — engage substantively with directors and producers to shape the overall sound aesthetic of a film, album, or live event.
  • Postproduction sound design — edit, layer, and synchronize dialogue, music, and sound effects for video or broadcast using professional sound editing and video software.
  • Systems analysis for signal chains — evaluate complete audio signal paths, identify bottlenecks or quality degradations, and recommend equipment or routing upgrades.
  • Live event sound for large venues — design and operate front-of-house and monitor systems for large-scale concerts or events, adapting mixes in real time to venue conditions.
  • Cross-platform format delivery — prepare and export final audio files to client-specified formats and loudness standards for streaming, broadcast, or theatrical distribution.
  • Vendor and equipment coordination — assess, select, and coordinate rental or purchase of specialized recording equipment to meet production requirements.
  • Junior technician mentorship — guide entry-level sound technicians through session protocols, equipment handling, and mixing techniques on active production sets.

Some details on this page are auto-populated from public workforce data sources: O*NET (opens in new tab), BLS (opens in new tab), College Scorecard (opens in new tab), DOL Training Provider Results (opens in new tab), NSX (opens in new tab). Provided in partnership with LER.me Career Intelligence.

Student Outcomes

Performance metrics for this program

Auto-populated·from Scorecard + DOL
Completion Rate
53%
Placement Rate
36%